• • • › ‹ • Back To Main Menu • • • • • • • • • • • • • • › ‹ • Back To Main Menu • • • • • • • • › ‹ • Back To Main Menu • • • • • • • • • • • • • • • • • • • › ‹ • Back To Main Menu • • • • • • • • • • Videos › ‹ • Back To Main Menu • • • › ‹ • Back To Main Menu • • • • • • • • Social Media, Apps & Newsletters › ‹ • Back To Main Menu • • • • • • • • • • › ‹ • Back To Main Menu • • • • • • • • Resources › ‹ • Back To Main Menu • • • • • • • › ‹ • Back To Main Menu • • • • • • › ‹ • Back To Main Menu • • • • • • • • Subscriptions › • Back To Main Menu • • • •. When Tom Hanks' 'Da Vinci Code' symbologist Robert Langdon awakens in the first scene of 'Inferno,' he is in a hospital bed, bleeding from the head and with no memory of how he got there. He is, in short, thoroughly confused. Moviegoers should be prepared to be confused right along with him. Part of that is by design, as director Ron Howard -- working from a script by David Koepp, in turn based on the Dan Brown novel -- admirably attempts to put his audience in Langdon's loafers. It is a worthwhile gambit, but it is one that in this case pays only partial dividends. Along the way, 'Inferno' has its surprises.